E. Charles Tucker

writer. designer. and king of the monkeys.
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Of Monkeys and Men

Q: Why do you refer to yourself as "Trickster"? Isn't that kind of...negative?

I've always been fascinated with the Trickster archetype; some of my favorite childhood characters were Tricksters: Bugs Bunny, Pippi Longstocking, Brer Rabbit, Robin Hood. When I got older and delved into mythology, I was naturally drawn to them still - Loki, Anansi, Hermes, Coyote, Sun Wukong. Modern pop culture is filled with them, and they're some of the most loved (and despised!) characters in media: Jack Sparrow, Dr. Who; Bart Simpson.

So what is a Trickster?

The Trickster is the class clown, the rule breaker, the mischief maker, the cunning thief whose antics fail much more often than they succeed. But in those failures are valuable lessons to be learned, both about life and about ourselves. Despite appearing selfish Tricksters often feel righteous in their actions, believing that the end result of their plans and pranks will ultimately benefit all, not just themselves.

It's the Trickster who points out the flaws in our carefully managed societies. He rebels against authority, pokes fun at the overly serious, creates complex schemes and generally plays with the Laws of the Universe. He constantly questions the rules, and causes us to question these same rules. The Trickster appears when a way of thinking becomes outmoded, when old ways need to be changed.

My identity as Trickster is meant to reflect all of these concepts, but most strongly it's meant to convey a sense of both the creative spirit and the simple complexity involved in being able to laugh at yourself, whether your successes or failures.

Dearly Beloved, We Are Gathered Here To Get Through This Thing Called Life

Apr21
by Trickster on April 21, 2016 at 9:42 pm
Posted In: Art, Events, Music, Other

This morning, April 21st 20016, Prince Rogers Nelson passed away at the age of 57.

2 say I’m saddened by this doesn’t quite describe the depth of emotion I’m feeling right now. It’s oddly personal, as if I’ve lost a best friend or family member.

I remember when Michael died (and if U have 2 ask “Michael who?”, please keep walking past this page) I thought I was sad, and I was sad. Truly. This man who I’d literally grown up with, watched perform as a child even as I was a child myself. 2 grow into himself as a solo artist just as I hit high school…of course I was sad, because the world had lost a magical artist, a wonderful (arguably, if U believe the rumors) human being, a tragic figure.

But Prince. Prince was something else. Something avant garde, risque, off kilter and yet somehow: right.

I remember when the single “When Doves Cry” hit the radio in 1984, I was 15 and figuring out who the hell I was, like most teenagers do. I was – am – Black, in NYC, in the South Bronx, but my life felt…off. I thought differently from the people around me, from my own family; I was the oddball, the weirdo, the sensitive one in the family. My outlet was books, I could escape into stories – but music? It was entertaining, and I certainly had my favorite artists. But music didn’t excite me the way it did others, I couldn’t lose myself in it.

Then I heard that opening guitar riff from “When Doves Cry”, and that heavy drum kit, all coming from this weird guy in a purple pirate coat and his hair done up in a bouffant; something awoke inside of me. I didn’t know what to call this – rock? Some new kind of R&B? Funk? Pop? Whatever the fuck it was, it was goddamn awesome!  Funkadelic! Then I listened 2 that album, that wonderful wonderful album: “Purple Rain”. And damned if I couldn’t get enough of it.  I mean, shit – “The Beautiful Ones”. What. A. Song. This man poured his goddamned heart into that song. “Do U want him? Or do U want me? Cuz I want U!”

FUCK! ME! Just wow. This wasn’t some sappy ballad, this was a powerful statement. Choose, because I need 2 know! I’m not gonna beg, I’m laying it out loud 4 the world 2 hear and there’s no mistaking how I feel. The rest is up 2 U.

And “Let’s Go Crazy”, oh my gods if there was a ever a song that called out the chaos that was my life at the time, that was it. “Let’s look 4 a purple banana ’til they put us in a truck, let’s go!” “We’re all gonna die…better live now before the Reaper comes knocking at your door!” Geezus. Man.

Try and tell me U didn’t cry listening 2 “Purple Rain” itself. Go ahead, lie 2 me.

Prince was my punk rock, my emo. I could listen 2 his music on repeat 4 days on end, and never grow tired of it. He’d become my entry drug into rock and roll later; if not for him, I don’t think I could have understood what was being called in my neighborhood as “White music”.

But to Prince: I laughed, I cried, I rocked the fuck out. His spirituality in songs like “Adore”, or “The Cross”; his sexuality – blatant sexuality – in “Dirty Nikki“, or even earlier in songs like “Do Me Baby” or holy christ on a stick, “Head” (“Morning noon and night I give U head/Til U get enough? Head!”)

Even his B side stuff pulled things out of me I didn’t know were there. “Starfish & Coffee” what the hell was that all about? “Starfish and coffee, maple syrup and jam; butterscotch clouds and a tangerine, and a side order of ham. If U set your mind free baby, maybe U’d understand.”  The man literally told U that U’d need 2 B in a different headspace just 2 understand what the fuck this song even meant, and it wasn’t 4 everyone. That odd, silent freak in me cried out “YES! I get it!” Because I *was* Cynthia Rose.

The more I learned about him, the more impressed I became with him. Learning how much of an introvert he was, was surprising. It turns out Prince was notoriously and famously shy; it was only on stage, playing his music, that he could step outside of that box and…well, transform.

Prince taught me it was okay 2 B different, 2 think in ways and appreciate things that maybe no one else around you would understand. That it was okay to B Black but still B able to express myself in ways that weren’t definitively “Black” – because it was more important 4 me 2 B true 2 myself, and not 2 others.  I think somewhere along the lines I’d forgotten that lesson, but I’m proud 2 say I’ve come back 2 it and embraced that lesson more recently. I don’t need 2 assimilate or conform 2 the expectations of others; I just need 2 B myself – as weird and charming and nerdy and funkadelic as that may B.

As successful as he was, I don’t think many really appreciated the depth of his talent. Never mind all the bands he produced, wrote for, sponsored: The Time. Maserati. Sheena Easton. Sheila E. Wendy & Lisa. Vanity 6. Or the vocal range he had, from falsetto 2 baritone and often within the same song. But the man played every damned instrument out there! Piano, guitar, bass, drums. On his debut album, the man was credited with having played 27 instruments. Twenty Seven.

Or U can talk about all the hit songs he wrote 4 others. Sinead’s “Nothing Compares 2 U”. Stevie Nicks’ “Stand Back”. Alicia Keys’ “How Come U Don’t Call Me”. Chaka Khan’s “I Feel 4 U”. Just pure genius.

And 4 all his oddities and quirks, the man remained deeply religious and spiritual. He didn’t drink liquor, and he was a vegan. Neither of which I’ll ever B, or would want 2 B 🙂 But 4 him 2 remain true 2 those values in the world of fame he lived within…amazing.

The world lost an incredible and influential artist today, and I lost a guide of sorts; someone who showed me the range and myriad forms music could take, and how you could express yourself in ways I’d never imagined. Fucking hell, I’m a mess of tears just writing this.

One song from his “Parade” album always touched me more than others, and with him passing in the month of April it almost seems prophetic. When that album was released, this one song ended the playlist; it was raw, almost uncensored. You can hear his fingers on the instruments, the sounds of the stools he and Wendy and Lisa were sitting on in the background. It’s a ballad, about a friend who passed away and is being remembered.

I can’t think of a better way 2 say goodbye. Your music changed my world, Prince. Thank you, forever. The world is less cool and funky, simply because you’re no longer in it. But Sometimes it Snows in April.

Tracy died soon after a long fought civil war,
Just after I’d wiped away his last tear
I guess he’s better off than he was before,
A whole lot better off than the fools he left here
I used to cry
for Tracy because he was my only friend

Those kind of cars don’t pass you every day
I used to cry for Tracy because I wanted to see him again,
But sometimes sometimes life ain’t always the way

Sometimes it snows in April
Sometimes I feel so bad, so bad
Sometimes I wish life was never ending,
And all good things, they say, never last

* Prince Rogers Nelson, 1958 – 2016 *

 

 Comment 

Be Careful What You Ask For

Aug27
by Trickster on August 27, 2014 at 2:35 pm
Posted In: Humor, Life, Uncategorized, Writing

A long-time friend of mine who, admittedly, is a little bit in the doghouse with me, asked me for a reference regarding a co-op he’s interested in.

Specifically he asked for:

 I’m trying to mix up genders and professions to be PC.  Anything you can provide, on letterhead if possible, would be greatly appreciated.  Thanks.

Anything? From me? Mwah-hah-hah-hah!

– with apologies to the City of New York, Department of Corrections and this obviously fake letterhead.

referral

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Metas vs Mutants: The X-Factor

May29
by Trickster on May 29, 2014 at 10:19 am
Posted In: Comic Books, Life, Movies

Side-stepping a bit from my movie rant of yesterday, one of the things I think “X-Men: Days of Future Past” got right was an explanation as to why mankind fears and/or hates mutants.

This may be, on a subconscious level, why I’ve always been more of a DC Comics fan than Marvel.  It never made sense to me that in the Marvel Universe, superhuman beings and aliens aren’t generally feared – only mutants. Civil War sort of shifted the tide a bit, but since that storyline ended the whole concept has rebooted back to the same status quo.  Mutants are Evil…but other folks with odd powers who might look funny are okay.

DC doesn’t make such distinctions, a point in their favor.  The lines are clearly drawn: Us vs Them. Governments recognize the threat of vigilantes and superhumans and aliens, and more to the point aren’t thrilled that they can’t control them.  If the Justice League ever go rogue and become the Justice Lords, who is to stop them? It’s a secret war of superpowers, with the non-powered seeking ways to control or eliminate the metahuman element. It doesn’t matter how they got those powers: alien ability, freak accident, birth mutation, arcane ability, divinity or technological advantage.  They’re “Them”, and we regular humans are “Us”.

Marvel’s lines are somewhat more blurred.  It’s okay to have superpowers, as long as you weren’t born with them.  Unless you’re alien, and your powers came that way – that’s sort of okay, but you’re still an alien and kind of second class. But at least you’re not a mutant. Ptooey!  Gods? Sure, bring ’em on – so what if your worshippers aren’t around anymore, we accept you and love you as one of our own.  The Pope is oddly quiet about his position on certain gods of thunder, I’m sure because he’s waiting for his own shepherd to show up and start tending his very large flock.  But while he might be a pagan god…again, he’s not a mutant.

For the first time, thanks to the movie – I think I get it now.  The distinction is one of evolution; homo sapien – us – came along rendered the brute that was Neanderthal obsolete.  We were the next stage in human evolution, and because of our appearance our genetic predecessors died off. We supplanted them on the evolutionary stepladder, and they no longer exist.

I can only imagine how Neaderthal felt about that; wowed and in awe of the abilities of his children, only to later realize that he no longer has a place in this new world. He’s slower, can’t think as well, can’t problem solve or create as well. He’s the old grandfather trying to understand how to work a computer, while his grandkids shake their heads at poor old Poppy.  It’d make me both sad and angry, that I don’t want to be phased out. I still have a place in this world, I still matter!

That I’m not obsolete.

That’s the mutant fear; that because of this emergence of homo superior, what role can I, a homo sapien, play in the future? How can my grandkids hope to compete on a sports field when my neighbor’s kids can run at 100mph, or fly? What tech job can they get when the toddler down the street is creating new quantum equations with his alphabet blocks from his playpen?   Not only am I now obsolete, but my children – and their children – are already obsolete as well. We aren’t relevant to this world; we’re Neanderthals in a world of modern Mankind, wearing loin cloths and carrying wooden clubs.

It isn’t fair, and that would incense me.  Fear leads to anger, anger leads to hate.  You know the rest, you nerd you.

So: thanks, DoFP. I get it now.

Fucking mutants.

– Trickster out

└ Tags: comic books, dc, dofp, marvel, metahumans, mutants
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My old blog site is no longer maintained, but I enjoyed writing it for a number of years and I thought it worthwhile to keep it on life support here: Dr3amc@tch3r

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